Ergonomics for the writer
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So what has this to do with writers and the sedentary business of writing?
One of the benefits of being the budget manager for the health and safety team at work is the advice I absord about work station design. (I've also learnt a lot about safety risk management. I now do a risk assessment before I do anything stupid in my workshop, sorry studio. I still do them but at least I know how daft they are and I think that's the important thing. I could have mitigated against the risk but chose not to. So, what's new? I laugh in the face of danger - so long as it's safe to do so.)
One of the greatest current areas for health and safety concerns (health and safety guys don't have issues, man, they have concerns) is about laptops. It's nigh on impossible to work in the position shown in the diagram above when you're using a laptop. This has serious implications when it comes to hot desking. No organisation wants to be shown to have committed corporate negligence if their staff get repitive strain injuries and bad backs.
Having used a laptop to produce two books of 140,000 words apiece and acquired a few (fortunately) temporary aches and pains in the process, I can fully understand what the heath and safety guys are concerned about. I think I've been able to mitigate against the effects of bad posture while using my laptop and a little careful thought can minimise the risk of repetitive strain injury or posture related problems for you, too.
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So how have I achieved such postural nirvana?
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More general advice is as follows.
Don't hunch over your laptop. Don't have it on your lap. It should be on a separate surface that's steady and allows you to stretch out your legs.
Be careful of using the touchpad, too. I found that, after prolonged use, I grew a pain my left hand side. Although I am right-handed, I'm left handed when it comes to using a computer mouse and the same is true for a laptop touchpad. I found the best solution was to use a cordless mouse. This came with the cordless keyboard and by using this across my knees with the laptop some way away from me I found a much more comfortable writing position.
Now that I have my voice recognition software, I am doubly protected against repetitive strain injuries in the hands and wrists. I still need to use a mouse and a keyboard to make corrections but my voice is much better evolved as a communication device than my fingers.
And, dare I say it, I quite like the sound of my voice.
Labels: ergonomics, Henry Dreyfuss, industrial design, laptops, repetitive strain injury, touchpads